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Sulmona Confetti: the history of Italy's confetti capital
From Santa Chiara to Pelino: five centuries of confetti-making tradition in the birthplace of Ovid, between Avola almonds and artistic bomboniere

In Sulmona, in the province of L'Aquila, there is a confectionery that has been producing without interruption since 1783. It was founded by Bernardino Pelino when Italy did not yet exist as a state, Napoleon was fourteen years old, and Goethe was finishing the first Faust. Since then, seven generations of the Pelino family have passed down the same recipe, the same machinery, the same production codes. Today, Sulmona Confetti are the sweet symbol of every British royal wedding of the past forty years — from Charles and Diana to William and Kate, all the way to Harry and Meghan — and Sulmona is the world capital of an art that combines confectionery, agriculture, symbolism, and manual skill like few other Italian products.
In this guide we tell you everything: the history (the Poor Clares of the Monastery of Santa Chiara in the 15th century, the founding of Pelino in 1783, the arrival of William Di Carlo in 1833), the technique of copper drums and the five days needed to make an authentic confetto, the right almond, odd-number symbolism, the colors for every occasion, and how to plan a visit to Sulmona — which is also one of the most fascinating gastronomic cities in Abruzzo.

What is a Sulmona confetto
An authentic Sulmona confetto is a whole almond coated in a layer of pure sugar, worked for several days in a copper drum until it forms a smooth, glossy, oval or rounded surface. The original recipe calls for just three ingredients:
Whole almond (ideally from Avola, Sicily)
Pure sugar
Optionally vanilla for flavoring (in the classic version)
There are no flours, starches, maltodextrins, or gums — the low-cost "binding" ingredients that many industrial companies use to speed up the process and reduce the amount of sugar. It is precisely the absence of binders that defines the authentic Sulmona confetto. There is even a traditional test to verify authenticity: drop a confetto into a glass of water. A genuine Sulmona confetto dissolves completely, leaving only the clean almond on the bottom with no floury residue. Industrial imitations, by contrast, leave a white starchy deposit.
The shape tends toward the oval, the size is larger than industrial confetti (because the Avola almond is bigger), and the flavor balances the sweetness of the sugar with the slight bitterness of the almond. The surface has the smoothness that comes from days of careful work.
The origins: from the Monastery of Santa Chiara to 1783
The history of confetti in Sulmona has deep roots. The Romans called them cupedia, meaning "desired thing," and gave them on the occasion of births, weddings, and religious ceremonies. The Italian word "confetto" derives from the Latin conficere, "prepared, made." Initially, however, the almond was not coated in sugar (which only became consistently available in Europe from the 7th–8th century AD onward), but in a mixture of honey and flour.
The Poor Clares of the Monastery of Santa Chiara (15th century)
The turning point came in the 15th century, when sugar became consistently available thanks to trade with the eastern Mediterranean. This period is considered the birth of modern confetti-making, and Sulmona is one of its principal historic centers. Local tradition (codified by numerous gastronomic and historical sources) attributes a decisive role to the Poor Clares of the Monastery of Santa Chiara in Sulmona.
The Clarissian nuns, in addition to making confetti as a sweet for religious ceremonies, developed a unique artistic technique: using colored silk threads and metal stems, they wove confetti into decorative compositions — stylized flowers, wheat sheaves, grape clusters, rosaries, garlands. It was religious and confectionery craftsmanship combined: confetti became elements of sacred iconography.
These floral creations in confetti became famous throughout the region and beyond, generating a small commercial trade that flourished over the following centuries. Even today, strolling through the historic center of Sulmona, you see these compositions everywhere in shop windows: the tradition of the Clarissians has never been interrupted.
The founding of the Pelino Factory (1783)
In May 1783, a notarial deed formalized the founding of the Pelino Factory in Introdacqua, a small town 5 kilometers from Sulmona. The founder was Bernardino Pelino (referred to as Berardino in some period documents), and the initial business was the trade of almonds. It was only with the next generation, under the guidance of Panfilo Pelino, that the company began actual confetti production, drawing on accumulated almonds and growing demand from local and national markets.
The third generation, represented by Francesco Paolo Pelino, expanded the business during the difficult transition between the Kingdom of Naples, the Kingdom of Italy, and early industrialization. With the twentieth century, the factory relocated from Introdacqua to Sulmona at Via Stazione Introdacqua 55, where it still stands today alongside its company museum.
Today the Pelino Factory is run by the seventh generation of the family: Mario Pelino and his sons Alfonso and Olindo. It is a member of the Hénokiens, the renowned international association that brings together European and Japanese family businesses with over 200 years of uninterrupted history, still led by descendants of the founding family. It is one of the very few Italian companies to be part of this club.
The arrival of William Di Carlo (1833)
Fifty years after the founding of Pelino, in 1833, another Sulmona confetti dynasty was born: Confetti William Di Carlo. This too is a multigenerational family story, now present with its own retail locations in Italy and abroad — including a store in the Dubai Festival City Mall. Pelino and William Di Carlo are historically the two most important names in Sulmona confetti, with slightly different styles but the same fidelity to artisanal tradition.
The other historic dynasties
Alongside Pelino and William Di Carlo, Sulmona is home to other historic confetti makers that have contributed to the product's worldwide fame: Buratti Confetti, Confetti Rapone, and numerous artisanal shops in the historic center that sell and produce confetti using traditional techniques.
Do not confuse Sulmona confetti with those of Mucci: the Mucci family is also a historic Italian confetti dynasty, but they are from Puglia (Andria), not Sulmona. These are different products, with an equally ancient tradition but distinct techniques and raw materials.

The technique: copper drums and five days of patience
The production of Sulmona confetti follows a technique codified over centuries that has changed only in its details (motorization, temperature control), but not in its essence.
The copper drums
The heart of production is the copper drum (bassina): a large hemispherical container, smooth on the inside, that rotates continuously on an inclined axis. A single drum can hold several dozen kilograms of almonds at a time. The shape and material are designed to ensure an even distribution of sugar over every single almond.
Before motorization, the drums were turned by hand, manually, for all the hours required by the process — a physically punishing task that demanded strength, endurance, and precision. Even today, some small artisanal producers maintain manual rotation for their finest confetti.
The process, step by step
Selection of almonds: only whole, perfect, calibrated almonds (broken or misshapen ones are discarded).
The almonds are poured into the rotating drums.
A sugar syrup is added continuously, in very small quantities.
The sugar distributes itself over the surface of the almonds, where it crystallizes to form a first thin layer.
More syrup is added. And more. Slowly. For days.
Each layer must solidify completely before the next is applied, otherwise the confetti stick together.
The process continues until the desired sugar thickness is reached.
A final polishing stage gives the confetti their characteristic smooth, glossy surface.
How long it takes
The process is a slow one. Mario Pelino, current owner of the factory, has publicly stated that:
To produce a classic confetto (almond, sugar, vanilla), two full days of continuous work are needed.
For the famous "cannellino" with cinnamon — a favorite of Giacomo Leopardi — the process can take up to five days.
There is a technique for cutting down the time: "incamiciatura" or "inamidatura", which involves adding starches between coats of sugar. It allows a confetto to be completed in around eight hours, compared to the two to five days of the traditional method. All of Sulmona's historic confetti makers (Pelino, William Di Carlo, Buratti, Rapone) explicitly reject this technique, considering it "deprecated" because it compromises purity and quality. It is a choice that allows them to uphold the "almond and sugar only" standard and to serve the highest-end markets, including British royal weddings.
The almond: Avola is the best
The raw material of the confetto is the almond, and here the difference between an exceptional product and an average one depends almost entirely on the botanical variety. The main options:
Avola almond (Sicily)
This is the finest almond in Italy and the one historically chosen by all the great Sulmona confetti makers. Its characteristics: a flat oval shape, medium-large size, a slightly bitter and aromatic flavor. The elongated, flattened shape allows the sugar to adhere evenly and to develop the characteristic ridges and curves of premium confetti. The Avola almond comes from a very limited area of southeastern Sicily, has limited production, and commands high prices.
Californian almond
The main competitor, produced in enormous quantities worldwide. Fuller and rounder in shape, sweeter in flavor, and considerably cheaper than the Avola almond. It is used in industrial confetti and mid-range production. It yields rounder but less refined confetti.
Other varieties
Almonds from Bari, from Toritto (Puglia), and from inland Sicily: intermediate options used by some Sulmona producers for specific lines. The highest-end confetti (for weddings and royal weddings) remain almost exclusively made with the Avola almond.
Historical notes
At one time, almonds were also grown in and around Sulmona. Local production ceased several decades ago, but in recent years some companies have begun replanting native almond trees with the goal of one day creating a "100% Abruzzo" short-supply-chain confetti line. It is a long process: almond trees only begin to yield a good crop 7 to 10 years after planting.
Contemporary variations
Alongside the classic confetto (almond, sugar, vanilla), Sulmona's confetti makers produce numerous variations that have won over the market in recent decades:
Chocolate: a dark chocolate center (Pelino uses Belgian cocoa) or milk chocolate, coated in sugar. One of the most beloved variations.
Piedmont IGP Hazelnut or Roman Hazelnut: an alternative to the almond, with a more toasted flavor.
Pistachio: a pistachio center (ideally from Bronte), producing a confetto with a natural green color.
Fruit: cherry, strawberry, raspberry, pineapple, and other dried fruits coated in flavored sugar.
Caramel: a soft or hard caramel center with a sugar coating.
Leopardi's cannellini: the classic cinnamon-flavored variety, reserved for purists.
Combinations: ricotta and pear, tiramisù, panna cotta, and other contemporary gourmet creations.
Gluten-free confetti are practically the norm: traditional technique involves no flour at any stage, so all purely traditional confetti (Pelino, William Di Carlo) are naturally gluten-free. More recent variations may contain gluten-containing ingredients: always check the label.
The colors: a codified tradition
The color of confetti is not merely decorative: it is a traditional code indicating the occasion. The code is strict in Italian culture, and couples and honorees almost always follow it.
White confetti
The traditional color par excellence: weddings, First Communion, Confirmation, religious vows. They symbolize purity. The two halves of the almond united by the sugar represent the indissoluble union of the couple.
Pink and light blue confetti
For births, baptisms, and First Communions: pink for girls (a wish for fertility), light blue for boys (sky, moral virtue). Also used for first wedding anniversaries.
Red confetti
For graduations and academic milestones. They symbolize energy, passion, and success.
Green confetti
For engagements (the promise of belonging to one another) and for emerald anniversaries (55 years of marriage).
Silver and gold confetti
Silver anniversaries (25 years) and golden anniversaries (50 years). The most celebrated of all wedding anniversaries.
Beige, yellow, and purple confetti
For specific anniversaries: china anniversaries (20 years), ivory anniversaries (14 years), pearl-gold anniversaries (30 years). Each anniversary has its own canonical color.
The numerology: the odd number
How many confetti does a bomboniera contain? Five, traditionally. Always an odd number, because according to tradition an odd number cannot be divided in two — just as the union being celebrated must be indivisible.
Five confetti: the quintessential number for weddings. It symbolizes the five fundamental wishes for the couple: fertility, long life, health, wealth, and happiness. One confetto for each wish.
Three confetti: the couple plus their child. A symbol of the family beginning.
Seven confetti: special anniversaries and milestones.
One confetto: for unique and unrepeatable events, such as taking religious vows or a milestone birthday.
The odd number is an important detail: a bomboniera with six or four confetti would never be considered "correct" by tradition, even if there are of course no practical consequences.
Floral creations in confetti
An exclusively Sulmona tradition, inherited from the Poor Clares of Santa Chiara: the artistic composition of confetti. Master artisans — traditionally the women of the family — weave colored confetti with silk threads, crepe paper, and coated wire to create:
Floral bouquets: roses, daisies, tulips, where every "petal" is a colored confetto.
Wheat sheaves: yellow and white confetti arranged in the shape of a sheaf, a symbol of prosperity.
Grape clusters: purple confetti arranged in a bunch.
Garlands and centerpieces for weddings and ceremonies.
Small figures and animals: ladybugs, butterflies, bees — for baptism bomboniere.
Devotional rosaries: the original religious tradition of the Poor Clares.
These compositions can be found in the shop windows throughout Sulmona's historic center and in the confetti shops. They are the true gastronomic-artistic souvenir of the city, beyond the standard gift boxes.
Historic mentions: from Tiberius to Goethe
Sulmona confetti have traveled through the centuries alongside some of the most celebrated figures in European history:
Emperor Tiberius (1st century AD): local tradition holds that he enjoyed them at imperial banquets (the ancient Roman cupedia).
Giovanni Boccaccio (14th century): he praised them in his writings, contributing to their medieval fame.
Napoleon Bonaparte: entering Verdun in triumph, he was welcomed by three triumphal arches of white confetti erected by the townspeople.
Johann Wolfgang von Goethe: according to local tradition, he courted his future wife Christiane Vulpius by giving her a box of Sulmona confetti during one of his trips to Italy.
Giacomo Leopardi: the poet was notoriously fond of the "cannellini," the cinnamon-flavored variety that takes five days to make. Leopardi's letters mention confetti as one of life's few pleasures.
The British royal weddings
Over the past forty years, the British Royal Family has chosen Pelino Confetti for their weddings in what has become a near-systematic tradition:
1981: the wedding of Prince Charles (now King Charles III) and Diana Spencer. Pelino Confetti as the official bomboniera.
2011: the wedding of Prince William and Catherine Middleton. The same choice.
2018: the wedding of Prince Harry and Meghan Markle. Pelino Confetti once again.
It is an informal but well-established tradition, maintained across four royal generations, that has cemented Pelino as an international luxury brand. The Pelino family has repeatedly described it as "an honor and an inspiration."
The Pelino Confetti Museum (Sulmona)
Visiting Sulmona without stopping at the Museum of the Art and Technology of Confetti is like going to Bologna without seeing Mortadella IGP. The museum was founded in 1988 by the Pelino family and is housed within the factory's premises.
What you'll see:
Historic machinery: period copper drums, pre-industrial tools, early 20th-century motorized equipment.
Family memorabilia: the 1783 notarial deed, period contracts, historic photographs of the Pelino family at work.
Rare pieces from the confetti tradition: decorative molds, antique silk threads, historic floral compositions.
Visible production line: at certain times you can watch the confetti makers at work through glass panels.
Factory shop: direct purchases from the full Pelino range at factory prices.
Address: Via Stazione Introdacqua, 55 - Sulmona (AQ).
Approximate hours: Monday–Saturday 8:00–12:30 / 15:00–19:00, Sunday closed. Always verify directly with the factory for up-to-date hours.
Admission: free.
Where to buy Sulmona confetti
Directly from the historic producers
Confetti Pelino: factory shop at Via Stazione Introdacqua 55, Sulmona.
Confetti William Di Carlo: retail stores in Sulmona's historic center (Corso Ovidio) and online.
Confetti Buratti, Confetti Rapone: stores in the historic center.
In Sulmona's historic center
Walking along Corso Ovidio, Sulmona's main street, you'll find dozens of confetti shops. They sell both the major brands and small artisanal productions. The window displays are spectacular: floral compositions, rosaries, little animals, colorful bouquets.
Online
All the major producers (Pelino, William Di Carlo, Buratti, Rapone) have e-commerce sites with shipping throughout Italy and abroad. Online prices are essentially the same as in-store.
Approximate prices
Classic 500 g box (enough for ~30–40 bomboniere of 5 confetti each): €12–€20 depending on the variety.
1 kg box: €22–€35.
Artisanal floral compositions (bouquets, garlands): from €30 for small pieces up to several hundred euros for elaborate arrangements.
Pre-packaged bomboniere: €2–€5 per piece, depending on complexity.
Frequently asked questions
Do Sulmona confetti have a DOP or IGP designation?
No, they do not hold a EU DOP/IGP designation. They are, however, listed among Italy's Traditional Agri-food Products (PAT), managed by MASAF. The protection is therefore indirect: the name "Confetti di Sulmona" has no European legal protection, but the historic Sulmona companies hold their own registered trademarks.
Why do they cost more than industrial confetti?
For three concrete reasons: production time (2–5 days vs. 8 hours for an industrial confetto made with starches), raw materials (Avola almonds that cost 3–4 times more than Californian ones), and low output (artisanal copper drums produce limited quantities). You are paying for artisanal craftsmanship, not just sugar.
How long do Sulmona confetti keep?
Unpackaged but stored in a sealed box in a cool, dry place, they keep for 12–18 months while maintaining their organoleptic qualities. Sealed packages can last up to 24 months. Once opened, consume within a few weeks to avoid moisture absorption (which softens and ruins them).
Do confetti contain gluten?
Traditional Sulmona confetti (Pelino, William Di Carlo, Buratti) contain no gluten: the recipe calls only for almond, sugar, and vanilla, with no flour or starch of any kind. They are suitable for those with celiac disease. Always check the label for special variations (filled chocolate, complex flavors) that may contain different ingredients.
Can I visit the Pelino factory?
Yes, the Museum is open to the public during standard hours (Monday–Saturday 8:00–12:30 and 15:00–19:00). Admission is free. For behind-the-scenes guided tours of the production line, contact the company in advance. William Di Carlo also welcomes visitors at their Sulmona stores.
How many confetti do I need for a wedding?
The practical rule: 5 confetti per bomboniera, 1 bomboniera per guest (or per couple, depending on your preference). For a wedding of 100 guests with bomboniere per couple (50 bomboniere): 250 confetti in total, approximately 1.5 kg. Always add 10–20% for contingencies. Plan ahead, because some premium confetti have long production times and may require advance ordering.
Are there vegan confetti?
Traditional confetti (almond + sugar + vanilla) are naturally vegan. Variations may contain animal-derived ingredients (powdered milk in milk chocolate, for example). For guaranteed vegan confetti, choose the classic white or varieties with pure dark chocolate.
Can they be shipped abroad?
Yes, all the major Sulmona producers ship worldwide. Costs and times vary by destination. Confetti are perfectly shelf-stable products (non-perishable at room temperature), so they handle even weeks-long shipments with ease. They are one of the most "exportable" Abruzzo souvenirs there is.
Discover Sulmona and its confetti with Stravagando
Sulmona is far more than confetti: it is one of the most fascinating gastronomic and historic cities in Abruzzo, with a magnificent medieval historic center, the celebrated medieval aqueduct of Piazza Garibaldi, the legacy of Ovid (born here in 43 BC), and a series of traditional festivals including the Giostra Cavalleresca in July and the Madonna che scappa in piazza at Easter. Visiting the Pelino factory in the morning and dining at a trattoria in the historic center in the evening is one of the finest ways to experience gastronomic and cultural Abruzzo.
Stravagando is the Italian marketplace for experiences exactly like these: tours of historic 'arrosticini' kitchens, meat-cutting demos with traditional butchers, pairings with local wineries, participation in traditional sagre, led by carefully selected local hosts. We're putting together our Abruzzo catalogue right now— included — and in the coming months you'll be able to book directly here.
In the meantime, if you are butchers, specialty restaurateurs, sagra organizers, or Abruzzo producers and want to join our circle, write to us: we're looking for you.
And if you're a traveler, subscribe to the Stravagando newsletter: we'll let you know as soon as the first experiences are bookable online — with transparent pricing, certified hosts, and an editorial curation we promise feels different from the big generalist marketplaces.
For further reading: the guide to Abruzzo's traditional products; L'Aquila Saffron DOP; Pecorino di Farindola; and the guide to Sulmona and what to see there.
Happy travels.